2011 Rockburn Cross Course Preview
This Sunday is Rockburn Cross, race #7 in the MABRAcross Super 8 Cyclocross Series, and the Mid-Atlantic mountain bikers’ favorite … Continue reading 2011 Rockburn Cross Course Preview
This Sunday is Rockburn Cross, race #7 in the MABRAcross Super 8 Cyclocross Series, and the Mid-Atlantic mountain bikers’ favorite … Continue reading 2011 Rockburn Cross Course Preview
For most promoters, a full slate of MABRAcross racing is plenty. But the go-getters at DCMTB wanted more so they … Continue reading DCCX Tandem: The Movie
Bicycle Dreams is a full length documentary that chronicles the 2005 Race Across America. As a chronicler of cyclocross racing, a decidedly shorter affair, I was a bit hesitant when the film’s director, Stephen Auerbach, asked if I wanted to review his film.
To hedge my bets, and ensure my ignorance about ultracycling events is kept in check, I recruited Adventures for the Cure’s Adam Driscoll and Patrick Blair, accomplished ‘cross racers and RAAM finishers in the two-person division, to watch and comment on the film.
Cyclocross racing is hard and, if you are doing it right, painful. It’s a redline effort for somewhere around an hour and then it’s over. RAAM, on the other hand, is more of a slow burn. Full-time steady-state efforts, day after day with little time off the bike and almost no sleep. Cyclocross is like a haymaker to the head, RAAM is 15 rounds of rabbit punches, a 45 minute break, and then fifteen more rounds. For nine straight days.
Bicycle Dreams tells a compelling story. From a technical and aesthetic standpoint the film is amazing. The shots are artfully framed and flawlessly executed. The color grading and lighting in the film are breathtaking. For this alone, the film is worth viewing.
The idea of a race across America in itself is, dare I say, epic. Finishing this event is truly an achievement only a small number of bicycle racers will accomplish. The human struggle, exhaustion, will-to-go-on and desire-to-quit is the kind of stuff compelling, edge-of-your-seat films thrive on.
The problem is that once you get beyond the big picture “epicness,” the actual competition is mind-numbingly dull. It’s equivalent to going out and watching an accomplished racer on a long solo training ride. This is not the Tour de France. There are no suicide breakaways, tactical chases, sprint finishes or mountain-top duels. Not to give away any plot points, but there is exactly one instance in the film in which we see a rider passed by a competitor.
To overcome the sport’s inherent lack of on-bike action, the filmmakers focus on the meta. The real drama is found in the racers’ back story, the mind-over-body struggle, and competitors’ interaction with their crew. Continue reading “Bicycle Dreams”
Adam Driscoll and Patrick Blair (Adventures for the Cure) usually get interviewed on this site because they are fast guys finishing at the top of their fields each week of the ‘cross season.Blair is always battling for the top step in the 3/4 race and sometimes jumps in to the elite race for a little more pain. Driscoll, in his first year in the elites, is a mainstay on the podium, nipping at the heels of the top three finishers every race.
Driscoll will be the first to tell you he is still learning the CX game. He hasn’t been racing that many years and was handing it to the cat fours only two years ago. The first time I remember seeing Adam was in 2007 at the Ed Sander Memorial race. He was leading the C race when he had a mechanical with about a quarter lap to go. Second place was charging hard but Driscoll didn’t panic. He picked up his bike and got his sprint on. I think he ran that finishing stretch, shouldering the bike, faster than most could ride it. He held off second and took the win. He then fixed the bike, lined-up, and podiumed in the B race.
With that flavor of toughness and persistence it is not a surprise that Driscoll would conceive a plan to ride his fixed-gear across the country. Along with Blair and Jesse Stump, the trio set out in 2006 to ride their bikes across the continent, raise awareness for diabetes and support a host of other worthy causes. So why the fixed-gear angle? As Adam—who is a Type-1 diabetic—puts it, “everybody knows somebody that has ridden their bike across the country, but not many know of somebody doing it on a fixed-gear bike.”
So how did the trip go? Luck has it that you can find out for yourself. “Adventures For The Cure: The Doc” will be screened tonight, December 3, at Bicycle Stations (2204 14th st NW). Show starts at 7pm with a screening of a short documentary on the 2009 Lost River Classic. Don’t show up late, word has it the shop can seat around thirty folks.
Although not officially part of the Bicycle Film Festival, the AFC movie is a nice kick-off for a weekend of all things celluloid and bike. For more information on the festival, check back here tomorrow and also go here: bicyclefilmfestival.com.
If you can’t make it to the screening, the AFC documentary is available for purchase at www.adventuresforthecuremovie.com.
Recently, I chatted with Adam and Pat about the movie and life on the road with your single-speed bicycle. Here’s what they had to say.
Patrick Blair: Three guys riding across the country on fixed-gear bikes! The mission is to make a difference while having fun biking across country and fixed gears makes it more of a challenge. Submission: sing karaoke in every state they visit! [40 words]
Adam Driscoll: An award winning documentary which covers a group of three cyclists in summer of 2006 as they bike 6,500 miles across the country on fixed gear bikes to raise money and awareness for American Diabetes Association and Kupenda for the Children. It also shows us attempting to do karaoke each state we bike through and you experience how bad of a singer I am. [63 words. Good thing we aren’t doing this interview on Twitter.] Continue reading “AFC: The Doc: The Interviews”
Patrick Blair (Adventures for the Cure) started a video project this past weekend that we hope to see him continue. … Continue reading Granogue Men’s Elite Video By Pat Blair